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Consider the girl group. A divine feminine moment in pop culture: whether the riot grrrls of the ’90s, a sleek, honey-voiced R&B trio, or a glam and campy, dancing quintet. But through history, she—the collective, she—has been constructed by men, made a product of the music industry machine primed for algorithms and girlboss politics. Where is the girl group’s place on the pop pedestal in today’s world?
